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	<title>Comments on: Put that story down, you don&#8217;t know where it&#8217;s been!</title>
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	<link>http://www.iain.com/2007/01/28/put-that-story-down-you-dont-know-where-its-been/</link>
	<description>Iain's pointless writing place</description>
	<pubDate>Wed, 19 Nov 2008 03:54:36 +0000</pubDate>
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		<title>By: For want of a better title&#8230; &#187; Blog Archive &#187; Suffering?</title>
		<link>http://www.iain.com/2007/01/28/put-that-story-down-you-dont-know-where-its-been/#comment-32</link>
		<dc:creator>For want of a better title&#8230; &#187; Blog Archive &#187; Suffering?</dc:creator>
		<pubDate>Thu, 08 Feb 2007 19:08:35 +0000</pubDate>
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		<description>[...] Pooks made a comment here about my reaction to my short story, and used it to ask whether other writers suffered. [...]</description>
		<content:encoded><![CDATA[<p>[&#8230;] Pooks made a comment here about my reaction to my short story, and used it to ask whether other writers suffered. [&#8230;]</p>
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		<title>By: iain</title>
		<link>http://www.iain.com/2007/01/28/put-that-story-down-you-dont-know-where-its-been/#comment-12</link>
		<dc:creator>iain</dc:creator>
		<pubDate>Wed, 31 Jan 2007 19:46:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.iain.com/2007/01/28/put-that-story-down-you-dont-know-where-its-been/#comment-12</guid>
		<description>To read some writers, writing blogs especially, it seems that everything *must* be done according to a formula.

I mean, I know there are some things that just need to happen in a novel (at least to be accepted by most Western readers), like setting up conflicts, pacing around the midpoint, well-defined climax etc. But then the formula goes into establishing the roles of each character so that they can interact in a predictable way - at that point, if it's really *necessary*, I've lost interest in the process. I didn't like analyzing stories like that at school, and I certainly don't feel like creating them to satisfy the analysis.

The problem I have is what if "what works for me" really isn't enough, and that I need this re-construction to satisfy a publisher? If that's the case, I feel like I'm wasting my time.</description>
		<content:encoded><![CDATA[<p>To read some writers, writing blogs especially, it seems that everything *must* be done according to a formula.</p>
<p>I mean, I know there are some things that just need to happen in a novel (at least to be accepted by most Western readers), like setting up conflicts, pacing around the midpoint, well-defined climax etc. But then the formula goes into establishing the roles of each character so that they can interact in a predictable way - at that point, if it&#8217;s really *necessary*, I&#8217;ve lost interest in the process. I didn&#8217;t like analyzing stories like that at school, and I certainly don&#8217;t feel like creating them to satisfy the analysis.</p>
<p>The problem I have is what if &#8220;what works for me&#8221; really isn&#8217;t enough, and that I need this re-construction to satisfy a publisher? If that&#8217;s the case, I feel like I&#8217;m wasting my time.</p>
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		<title>By: pooks</title>
		<link>http://www.iain.com/2007/01/28/put-that-story-down-you-dont-know-where-its-been/#comment-7</link>
		<dc:creator>pooks</dc:creator>
		<pubDate>Mon, 29 Jan 2007 03:48:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.iain.com/2007/01/28/put-that-story-down-you-dont-know-where-its-been/#comment-7</guid>
		<description>Well, I don't write short stories nor do I read them much so I don't have direct experience, but what you say makes sense -- the compressed story makes every single word count in a way very unlike in a novel.  So I can imagine how the slightest change can make a bigger difference overall.

I've had that happen in scripts, though.  Sometimes a single line of dialogue pops up that suddenly spins everything on its ear, and takes me off on a new, better direction.

As for grammar, I mentioned that to a few friends who went to school with me, and we all had the same experience as you.  We learned a few basics -- nouns, verbs, adverbs, ajectives.  But not grammar as in gerunds and dangling participles, etc.  Some of us pick it up from reading a lot, I think.

Oh, thanks for the props!</description>
		<content:encoded><![CDATA[<p>Well, I don&#8217;t write short stories nor do I read them much so I don&#8217;t have direct experience, but what you say makes sense &#8212; the compressed story makes every single word count in a way very unlike in a novel.  So I can imagine how the slightest change can make a bigger difference overall.</p>
<p>I&#8217;ve had that happen in scripts, though.  Sometimes a single line of dialogue pops up that suddenly spins everything on its ear, and takes me off on a new, better direction.</p>
<p>As for grammar, I mentioned that to a few friends who went to school with me, and we all had the same experience as you.  We learned a few basics &#8212; nouns, verbs, adverbs, ajectives.  But not grammar as in gerunds and dangling participles, etc.  Some of us pick it up from reading a lot, I think.</p>
<p>Oh, thanks for the props!</p>
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